Salvador Herrera

PhD candidate at UCLA

Salvador Herrera (Sal) is a PhD candidate, researcher, and teaching assistant at the University of California, Los Angeles (UCLA). He is currently a Mellon Dissertation Completion Fellow with the Inter-University Program for Latino Research. As an interdisciplinary scholar of English, Performance, and Latinx Studies, he studies TransBorder aesthetics in order to address the limitations of identity politics for confronting the violence of the border apparatus, along with media outlets that exploit narratives of migrant trauma. TransBorder art is an experimental form situated between dystopic political realities and a speculative future beyond borders as imagined through queer and trans* modalities. He has written several articles for Synapsis: A Health Humanities Journal, along with an article on race, cybernetics, and the role of mediation in border subject formation as part of a 2021 special issue of Intertexts: A Journal of Comparative and Theoretical Reflection. His work draws and builds from Lacanian psychoanalysis, world-systems theory, and Chicana feminism.

OrchID; Google Scholar

salvadorh@g.ucla.edu

 
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Publications

Refereed Journal Articles

Herrera, Salvador. “Cybersujetos: Reading Border Subjects across Mediums.” Intertexts, vol. 25 no. 1, 2021, pp. 101-130. Project MUSE, doi:10.1353/itx.2021.0005.

 

Scholarly Writings

Herrera, Salvador. "Already Quarantined: Yes, the 'Spanish' Flu was Racist Too." Synapsis: A Health Humanities Journal, July 2020.

Herrera, Salvador. “Attentional Avoidance: America’s 'War' on COVID-19 and Narco-Terrorism.” Synapsis: A Health Humanities Journal. April 2020.

Herrera, Salvador. “Towards an Integral Model of Health: Documenting the Sterilization of Puerto Rican Women.” Synapsis: A Health Humanities Journal. Feb. 2020.

Herrera, Salvador. “Skin Deep: Biometrics and Containment in Sabrina Vourvoulias’s Ink.” Synapsis: A Health Humanities Journal. Nov. 2019.

Herrera, Salvador. “The Power to Kill: The Immunologics and Necropolitics of Whiteness.” Synapsis: A Health Humanities Journal, Oct. 2019.

 

“Metabolizing the Border”: Tanya Aguiñiga and the Affects of Consumption

In this presentation at the Modern Language Association 2021 conference, I theorize towards "affects of consumption" by reading a performance piece by multidisciplinary artist Tanya Aguiñiga titled "Metabolizing the Border.” These affects refer to the social imperatives to consume and be consumed along the lines of racialized and gendered expectations. Affects of consumption limit the senses, prefigure movements, and ultimately burden the body with memories. In the context of Aguiñiga’s performance, “metabolization” is a performative strategy of bodily, psychic, emotional, and social transformation through destructive processes that enact decolonial impulses against affects of consumption in the US-Mexico borderlands.

 
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